Associate Diploma in Digital Film Making: On Campus Course

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About Course

Beyond the theory and history of cinema, Digital Eye Media Academy places an emphasis on hands-on experience. Students gain invaluable experience directing and shooting their own films and serving as integral crewmembers on other students’ films.

In their numerous projects, students take on roles such as director, cinematographer, writer and editor and experience first-hand what it’s like to be a part of a film production. This hands-on experience in writing, directing, shooting, and editing is a large part of what makes the Digital Eye Media Academy the best film school for so many students.

Overview of our 1-Year Filmmaking Program

This Filmmaking Program gives students the all-around filmmaking experience necessary to make their own films. The year is divided into three (3) semesters with one to two weeks of vacation, depending on the start date.

Students in the program receive over 800 hours of hands-on instruction and actual production experience. The curriculum integrates intensive study in all the major filmmaking disciplines including cinematography, directing, screenwriting, producing, and editing. They all write, shoot, direct, and edit eight of their own short digital projects (including a thesis sync-sound project).

Students shoot these projects using a DSLR in the first semester and the RED Scarlet HD camera in the second semester. All projects are edited digitally using Adobe software. Students are also trained in the use of 16mm film and 35mm film. Students have the option of shooting their projects in either of these two film formats, although the cost of shooting film is significantly higher than working in HD digital video.

Our program is for people who have the passion to plunge into full-time filmmaking, and to commit themselves to a focused and demanding curriculum. No previous filmmaking experience is required. However, participants must work with self-discipline, energy and mutual respect.

As in all Digital Eye Media Academy programs, the one-year course emphasizes hands-on learning. Film directing classes are not theoretical explorations; they are practical Course designed to put students in the director’s chair as quickly as possible. The Digital Eye Media Academy encourages students to take creative risks and find their own voices as visual artists.

Students complete the year in filmmaking with skills in all the filmmaking crafts, an enormous amount of production experience, eight films of their own, a one-year diploma, and an expanded awareness of themselves and others. Students’ final films are celebrated in a school screening open to cast, crew, friends, family, and invited guests.

The educational objectives of the One-Year Filmmaking Program are to teach students the art and craft of filmmaking and to instruct students through a strict regimen of lectures, seminars, and total immersion Course to help them excel in the creative art of filmmaking

Graduation Requirements

The One-Year Filmmaking Program requires successful completion of creative projects in partial fulfillment of the graduation requirements. These creative projects may include:

  • Project 1 – Mise-en-scène Film
  • Project 2 – Continuity Film
  • Project 3 – Music Film
  • Project 4 – Short Film
  • Project 5 – Subtext Film
  • Project 6 – POV Film
  • Project 8 – One Year Final Film
  • Project 7 – Mid-Year Film

To graduate and receive a Certificate of Completion, students must also successfully complete every course of study with a passing grade or better and adhere to the Digital Eye Media Academy’s Attendance Policy and Code of Conduct.

The Digital Eye Media Academy One-Year Filmmaking Program is an accelerated full-time study program and does not provide for multiple tracks of study. All classes are mandatory. This is a highly specialized program, and there are no majors or minors.

Classes are lecture, seminar, and/or studio based. Lab and practicum instructional hours are treated as studio hours. The program may not be completed in less than two terms.

The Digital Eye Media Academy’s Registrar’s Office ensures that the student has fulfilled all academic requirements for the entire program, as well as all financial obligations to the school. Student transcripts showing the awarding of the One-Year Certificate of Completion will be withheld until the student meets all academic and financial obligations.

Film Making Course Outline

This Programme will allow members to develop professional skills in film and pre-production, production, and post-production. Fundamentals of video production, including the techniques and the aesthetics of shooting, lighting, and editing will be covered. Emphasizes hands-on production experience, using digital video. While in this Project, members will be using class members as the production unit focusing on filmmaking, including story development, production/post techniques, directing, and interpretation of drama from script to screen. Students will master the following aspects of film making:

Producer’s Craft

Explores every aspect of the Producing process: from identifying ideas through the development of scripts, assembling commercially viable packages, as well as financing, production, marketing, and distribution. Through lecture, discussion of industry developments, handouts and individual research assignments, Producer’s Craft lays the groundwork for students to develop their passion.

Line Producing

Students learn about the physical aspects of production: scheduling and budgeting, crew descriptions, paperwork and reporting mechanisms (permits, call sheets, production reports), pay rates, working with unions, insurance guidelines, and more. Students are instructed in the use of Movie Magic Scheduling and Budgeting software.

Pitching

An essential producing skill, students learn the appropriate pitching techniques for a variety of meetings and settings. Each student will practice and gain critical and fundamental pitching skills, including writing effective loglines, identifying the audience, and perfecting the pitch.

Entertainment Law

Producing students will study legal issues regarding television, films, recordings, live performances and other aspects of the entertainment industry; including copyright, intellectual property, talent representation, and financing/distribution arrangements.

Story and Screenwriting

Producers play a key role in the development of scripts. Students will gain firsthand knowledge of fundamental screenwriting elements such as: structure, conflict, character, premise, plot, and thematic point of view. They will gain insight into working with writers, story analysis, and overall management of the development process.

Film Finance

This course focuses on successful strategies employed in the finance of studio and independent films. Topics include: equity investment, sales agents, foreign territories, pre–sales, gap financing, production incentives, subsidies and government funds, as well as the revenue waterfall, i.e. how investors get their money back.

Film Festival Strategies

With the proliferation of film festivals around the world, this course will offer an opportunity at a “low cost” option for the submission of their films and a means to develop a film community of their own. Film Festivals are expanding as the technology explodes in the digital universe. Topics include festival selection, social media campaigns, case study of a specific film to examine the process of working the festival circuit, and achieving potential distribution deals.

Project Salient Features:

  • Medium of Instruction:                   English
  • Duration of Course:                          12 Months

Training methodology:

  • Theoretical coverage 20 %
  • Practical coverage 80 %
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What Will You Learn?

  • The ability to work independently and collaboratively in a high-pressure creative environment.
  • An in-depth knowledge of digital video cameras and motion picture production.
  • A working knowledge of 16mm and 35mm cameras and film production.
  • The ability to write and pre-visualize a screenplay.
  • In-depth experience working as a director, producer, assistant director, director of photography, assistant cameraperson, gaffer, grip and sound mixer on student productions.
  • Mastery of Adobe Premiere Pro digital editing software.
  • Knowledge of film history and film studies.
  • Knowledge of aesthetic film theory and experience with practical application of the same.
  • Put into practice the fundamentals of directing and visual storytelling.
  • Explore the foundations of High Definition video production and digital editing.
  • Experience full immersion in the craft of screenwriting
  • Serve as an actor, as well as a director, cinematographer, or assistant director on at least one production Course overseen by instructors.
  • Acquire an introductory knowledge of the history of motion pictures.
  • Write direct and edit short projects including the end of semester digital dialogue film.
  • Crew as cinematographer, gaffer, and/or assistant camera on approximately 15 additional projects.
  • Write a complete short film screenplay with dialogue.
  • Collaborate with classmates and instructors in Production Course exercises filmed on HD.
  • Develop a professional comprehension of directing, screenwriting, producing, sync-sound production, digital and film cinematography, and digital editing study and exercises.
  • Continued use of collaborative strategies and techniques, while on-set, and in constructive classroom screen and critique sessions.
  • Explore the role of the producer and implement advanced production tasks.
  • Serve as director, cinematographer, or assistant director on at least one production Course overseen by instructors and shot on HD or 16mm film.
  • Begin pre-production and develop a story and visual design for the Final One Year Film.
  • Demonstrate a competency of pre- production, shooting, and editing a short narrative film.
  • Apply the fundamentals of sound design.
  • Explore the fundamental elements of visual effects and feature film story development.
  • Create professional quality producing and directing production books.
  • Direct and edit a film of up to 15 minutes shot on 16mm film, 35mm film, or High Definition Video.
  • Participate as a principal crew-member on fellow students’ films.

Course Content

Career Development & Employment

  • Class Procedures and Safety
    00:00
  • Attendance, Grading, Syllabus
    00:00
  • Employment resources
    00:00
  • Career paths and opportunities
    00:00
  • Job Portfolio
    00:00
  • Professional organizations
    00:00
  • Goal Setting
    00:00

Screen Writing

Film Scheduling

Digital Video Technology

Choosing A Camera for Your Production

Planning Your Shoot

Mastering Production Lighting

Using the Camera

Recording Production Sound

Shooting and Directing

DSLRs and Other Advanced Shooting Situations

Digital Video Editing Gear

Non-linear Video Editing Software

The Video Editing Process

Project Sound Design

Color Correction

Tittles and Graphics for Video

Motion Effects

Finishing Your Production

Editing with Adobe Premiere Pro.
In this section, you’ll get a thorough overview of the interface, tools, features, and production flow for Premiere Pro CC. The course is an ideal combination of instructor-led demonstration and hands-on practice to introduce you to Adobe Premiere Pro software, a revolutionary 64-bit nonlinear video-editing application. You will learn powerful real-time video and audio editing tools that give you precise control over virtually every aspect of your production.

Video Editing – Practical
Objective of the Module: Providing an opportunity for the students/learners to practically apply the learned constructs during all preceding modules. Duration: 192 Hours. Theory: 32 Hours. Practice: 160 Hours

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